Prahaar – The Ujjwal Nikam Story has received a positive review for its intense courtroom sequences, compelling storytelling and strong performances. Featuring Rajkummar Rao as prosecutor Ujjwal Nikam and Lalit Prabhakar as Ajmal Kasab, the film revisits the legal battle that followed the 26/11 Mumbai terror attacks.
Prahaar – The Ujjwal Nikam Story is drawing attention for its dramatic portrayal of one of the most significant criminal trials in modern Indian history. The film, scheduled to release in theatres on October 16, 2026, has received a four-star rating from Bollywood Hungama critic Taran Adarsh.
Directed by Avinash Arun, the courtroom drama focuses on the prosecution’s efforts to establish the facts and secure justice following the 2008 Mumbai terror attacks. Rather than concentrating only on the events of that tragic night, the film explores the legal proceedings, evidence and arguments that followed.
According to the review, the film combines emotional storytelling with tightly written courtroom scenes, creating an engaging cinematic experience.
Prahaar Movie Review: Story and Screenplay
One of the film’s biggest strengths is its screenplay. The narrative reportedly maintains tension through courtroom arguments, conflicting claims and crucial moments in the prosecution’s case.
The recreation of the attack at Mumbai’s Chhatrapati Shivaji Terminus is described as disturbing and emotionally powerful. The sequence highlights the suffering of innocent people and the lasting impact of the tragedy.
The review also identifies several memorable moments, including the courtroom exchange over Kasab’s age, a powerful pre-interval sequence and the testimony of a young girl who recounts her experience of the attacks.
The film also explores the personal and emotional dimensions of the story, including the relationship between a father and son. These elements add depth to a narrative driven largely by legal proceedings.
Rajkummar Rao Shines as Ujjwal Nikam
Rajkummar Rao leads the film as Ujjwal Nikam, the prosecutor associated with the 26/11 terror attack trial.
His performance has been praised for its authority, intensity and conviction. He reportedly brings a commanding presence to the courtroom scenes, making the character’s pursuit of justice a central force in the story.
Lalit Prabhakar also earns praise for his portrayal of Ajmal Kasab. His controlled and unsettling performance reportedly avoids unnecessary dramatics, adding to the seriousness of the film.
Wamiqa Gabbi makes an impression in a story dominated by courtroom proceedings, while Jaideep Ahlawat contributes a convincing performance. Sikandar Kher and Ashish Vidyarthi are also highlighted for their work.
Ritwik Sahore and Ajinkya Deo add to the supporting cast, while child actor Dior Ranju Varghese is singled out for a particularly effective courtroom scene.
Direction and Technical Quality
Director Avinash Arun receives praise for balancing the legal drama with the emotional weight of the subject. The screenplay keeps the proceedings engaging while allowing important characters and events to develop naturally.
The background score is another notable strength. With little need for conventional songs, the music focuses on building suspense and strengthening the emotional impact of key scenes.
The film’s courtroom sequences appear to be its biggest attraction, with the review highlighting the writing, performances and execution as major positives.
Prahaar Movie Rating and Verdict
Bollywood Hungama critic Taran Adarsh has awarded Prahaar – The Ujjwal Nikam Story 4 out of 5 stars, describing it as a gripping courtroom drama worth watching.
The film’s appeal lies in its focus on the legal battle following the Mumbai attacks, supported by strong performances and emotionally charged storytelling.
For viewers interested in courtroom dramas, real-life criminal cases and films based on important events in Indian history, Prahaar could be a noteworthy theatrical release.
Final verdict: Prahaar – The Ujjwal Nikam Story appears to be a compelling courtroom drama driven by Rajkummar Rao’s performance, Avinash Arun’s direction and an engaging screenplay.
